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| YOU OUGHTTA BE IN PICTURES THE POLYPHONIC NATURE OF PATRICIA ROZEMA INTRODUCTION TO THE SCREENPLAY FOR MANSFIELD PARK EVERYTHING'S COMING UP ROZEMA PASS THE SMELLING SALTS, THIS AUSTEN IS FAR LESS PLAIN THAN JANE'S FANNY PRICE RETURNS AS THE HEROINE FOR OUR TIMES EMPOWERING AUSTEN RUN MAD, BUT DO NOT FAINT: THE AUTHENTIC AUDACITY OF ROZEMA'S MANSFIELD PARK BEST OF THE CENTURY FILMS FROM MACLEAN'S MAGAZINE ROZEMA TRUE TO AUSTEN'S IDEAS AUSTEN POWERS ROZEMA IN CONVERSATION WITH PATRICIA ROZEMA FROM MONTAGE MAGAZINE SEX AND THE SACRED GIRL SPICING AUSTEN'S 1806 WITH DASHES OF 1999 PRESS IS CAUGHT UP IN MERMAIDS' SPELL QUOTES |
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The following are quotes from various sources over the years. "Rozema's clever cutting, highly mobile camera, and odd, exaggerated angles lend a tongue-in-cheek tone that never undermines our serious interest in the characters, though it may wink at her turn-of-the-century audience contemplating these turn-of-the-century characters nearly 200 years in the past." -from the article "THE PERSONAL BECOMES POLITICAL AT THE MONTREAL FESTIVAL" by Cynthia Lucia from Cineaste magazine, Vol. 25 Issue 1 "Her new movie is ambitious, an operatic fable full of striking images and elaborate conceits." -from the article "PATRICIA ROZEMA WEAVES AN EROTIC INTRIGUE IN WHITE ROOM" by B.D. Johnson from Maclean's magazine, Vol. 104, Issue 11, 3/18/91 |
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